#I NEED TO SEE HER KILLING PEOPLE

[probably-a-human-being]

On a more important note, SHE LIVES

[heartorbit]

find another role, carry on the show

[tricoufamily]

just some ivy league kids trying to figure out necromancy

[novelconcepts]

One of the most fundamentally interesting things to me about YJ and writing fic, specifically, is how the blame changes hands depending on the story. On whose perspective you're writing from. On whose story it is at a given moment. The very thing I dislike about viewers missing the point becomes so fascinating to me from within the narrative. Who are these characters when seen through the eyes of their peers?

Who does Jackie become? If you're Shauna, she's the love of your life, and your greatest rival, and the other half of your soul, and the person you blame for your dead dreams. If you're Van, she's the respected captain who earns none of your respect in the woods, the one who left you to die without blinking, the easiest target for teenage malice. If you're Natalie, she's competition for affection, the blabbermouth who can't leave well enough alone, the hands putting themselves to no good use. If you're Jackie? You're just a girl. You're so tired. You're so scared. You're losing face a little more every day, and you're made of despair, and you can't even trust your best friend. It's not your fault. It's not your fault. It's not your fault.

Who does Lottie become? If you're Natalie, she's your direct foil, the splinter under the edge of your thumbnail, the smart mouth to match your own, the confusing amalgamation of normal friend and mad ritual. If you're Misty, she's the first shred of obvious power in months, a leader who might need to be nudged back into line, a fascinating exercise in hitching your wagon to the right star early on. If you're Taissa, she's flat-nuts and endlessly frustrating, she's got your girlfriend's full attention, she's incredibly dangerous. If you're Lottie? You're just a girl. You're so tired. You're so scared. You've built a pedestal you can't keep your balance on, and you're not sure if you're right or going crazy, and you didn't want this. It's not your fault. It's not your fault. It's not your fault.

From outside the narrative, there is no bad guy. There is no blame. It is no one's fault. It is Man v. Nature, they are doing the best they can with an impossible situation. They're all trying to contribute what they can to the story, for better or worse.

From inside the narrative, you are a teenager trapped in a society constructed entirely of bare-bones-survival with the wildest assortment of girls. From inside the narrative, to stay human, you have to love and fight, respect and judge. Every story changes the game. Every story shifts the blame. A hero in one has the bloodiest hands in the next. And that, to me, is such a thrilling sandbox to play in.

[fumifooms]

What if we were both magic prodigies and it otherized us in different ways and we devoted ourselves to protecting a family member who has general other goals & priorities. What if we both did self-sacrifical devotion in opposite ways.

What if we were dark mirrors of each other and where I've grown overcontrolling you've grown complacent. What if, bought as a servant into a pretty loving home, ownership and control is what love looks like to me, and to you neglected and lonely growing up, love is gratefully taking any scraps of it you’re lent.

By belonging to someone, even if she comes back injured or fails at finding Delgal, she feels like she belongs and is cherished, by owning someone he feels safe in them not leaving him.

She’s what’s tethering him do you see… And he’s the only thing giving her direction and purpose in her state. She needs a compass and he needs a support.

They’re both so out of it 😭 It’s the weirdly intense and unearned mutual trust and reliance on each other?? They’re each other’s weird little comfort codependent teddy bear. Or at least they were headed towards that before SHE DIED THEN HE DIED THEN THEY BOTH FORGOT ABOUT EACH OTHER AND NEVER MET EVER AGAIN. Though she’s also the guard attack hound keeping him safe… And vice versa he heals her and can rewrite her very being with just one wave of his hand. They’re both so so mentally and physically vulnerable both but they cling onto each other. They can’t perceive things accurately but despite it all someway somehow they stumble into something closer to resembling companionship just before they both die. Falin is just that kind and Thistle is just that lonely. Overworked. We both haven’t lived for ourselves in a very long time, haven’t we.

They both have a similar devotion to the people they love but again the difference is that Thistle starts overtsepping while Falin is self-effacing. The other difference between them is that people care about Falin <3 People have given up on Thistle long ago, and he has given people reasons to, while people refuse to give up on Falin. Yaad has a mini arc about it dw about it it’s ok he’s not all alone in the end 😭😭 He reached out for Marcille’s hand but they already all wanted to help him, they just had to be given the chance to, Yaad just had to be given the chance to, it’s okay I’m okay

Hey what if we learned to get in touch with our own identity and the world around us and living in the present again through being in the worst codependent situationship ever.

Falin and Thistle sitting in a tree, sucking on flowers together because they’re h-u-n-g-r-y 💕💕💕

I bet he’s only ever thought of flowers as useless ornaments. Weak weeds. But she shows him they’re tasty and useful and good and pretty in their own right too and deserve existing without proving their worth and waaa <33 Thistles…... Did you know thistles taste sweet if you remove the thorns and eat them?

"Even as a chimera, her kind nature remains" you can’t suppress her in the way that matters. You can’t soothe him in the way that matters. It’s doomed. You’re doomed. It’s all doomed. Save me.

[luck-of-the-drawings]

EDYN TIDESTRIDER, CHALLENGER OF THE UNDERSEA, RIVAL OF THE DEEP. WHAT WOULD YOU DO IF YOUR BROTHER WAS CHOSEN TO BE A WEAPON OF THE GODS? HOW WILL YOU UNDO WHAT THEY HAVE DONE TO HIM?

[happyk44]

Jason who immediately loses respect for people who don't own up to their mistakes vs Annabeth who would rather die than admit she made a mistake

[carnivalcarriondiscarded]

Frank! fantasy flavor!

rambles:

i really wanted to blend that monk-class inspiration w/ Frank's personal vibe... i like to think that i Succeeded!

i turned his tie into a sort of brooch since, yk. bowties aren't all that Fantastical. they miss the style. also i think they'd be more comfortable with something smaller since he's very active and needs a wide range of maneuverability

i bet Eddie or someone wheedled them into adding the leather shoulder pauldrons - leather to keep it a bit more flexy, and also. it just looks Cool!

figuring out what would replace his vest was tough. i didn't want them to be entirely unprotected, but i couldn't give him straight armor. though i will admit! a sort of tight-fitting crop top was Considered! but i landed on a gambeson vest as the best fit - comfortable, flexible, a Vest, while providing some level of protection! also, gambesons are quilted, which fits Frank's diamond-checkered vest!

ive already mentioned that one of my favorite outfit things is Flowy Pants Tucked Into Boots, so... that choice wasn't very character driven. except the boots are a tall ankle wrap - for that extra stability and strength! their shoes are pretty flexible and are only a few steps away from being slippers.

and the half-skirt - open skirt? - thing (still don't know what its called) is purely some self indulgence. i think Frank looks great in skirts!! also imagining him Throwing Down w/ the added flair of the skirt... damn. it'd probably help confuse enemies too - what're they gonna do next? who knows! the skirt is in the way and adding extra Movement!

i like to think that his knife is either in a sheath attached to the back of the belt, or they have it on their thigh (under the skirt) like Wally's bag. he probably never uses it... punching is the way to go for Frank methinks. it's probably reserved for cutting ropes and fruit

speaking of punching.... wrist wraps! inspired by boxing gauze! pads his knuckles, keeps his wrist compressed, its the best choice for physical combat. though the wrapped knuckles probably always have blood showing through anyway... or no yeah it's mostly other people's blood...

as for scars - Frank probably has quite the collection! i imagine that they've been picking fights since a young age, and in such a dangerous world he probably got hit a Lot until they learned how to hit back. and hit back Well. still, i wanted to give him a cool face scar with a very lame backstory - a book with a crisp, sharp spine corner fell off a high shelf and bonked them in the face at juuuust the right angle <3 he probably stays very fucking quiet about it which makes everyone think there's some intense traumatic backstory behind it. there isn't. Frank's just embarrassed.

closing note: i imagine that Frank has zero magic. literally none. cannot wield it for shit cannot utilize it. he's just like Howdy fr

[aingeal98]

I think there's a misconception among some fans who mostly get their characterisation from ao3, that the reason Cass and Jason wouldn't get along is that Jason kills people and Cass hates murderers. And like. You're 50% right but the key context being ignored is that Cass would literally fight to defend the right of a serial killer to live and change like she believes desperately in second chances no matter how far gone the killer is. She'll knock a man out and break his hand so that he can never shoot and kill someone again but if she sees someone feel bad about their kill or even like. Hesitate to hurt a child. She is all over that like she will fight the world just to save this one kind of shitty assassin and give them a second chance at life where they can do better.

Whereas Jason believes that sometimes there are bad people that are simply too far gone, too much of a force of evil hurting and draining actual innocents. And the best way to deal with scumbags like that is a bullet. He feels that some people don't deserve to live, and he's comfortable ending their lives. Judge, jury and executioner. Because no one else is going to kill these people and they deserve to die so that they can never hurt any victims again.

Of course all of this is kind of irrelevant in current canon since dc basically skipped over the reconciliation and development and went yeah Jason is a batfam member and he doesn't kill anymore. So currently in canon none of this conflict of ideals is likely to be addressed. But a lot of people are interested in writing fics that actually detail the steps of reconciliation which is great and I love those fics. I've just also noticed a trend of fumbling a little when it comes to Cass.

Because the root cause as to why they wouldn't get along is not just because Jason kills people. If Jason was a random crime lord Cass would probably try to help him get free of Gotham and start over somewhere else. Killing people and having conflicting emotions about it is the easiest way to get Cass willing to be your number one sponsor at murderer rehabilitation anonymous. It's Jason being someone personal to the family, and someone who believes that some deaths need to happen, as long as the person is sufficiently repulsive enough to Jason. Or even just as a means to an end to prove a larger point, if they're pathetic and evil enough. That's what would make Cass see red, because she projects herself on every single killer and Jason dismissing the possibility of redemption for them, writing them off as deserving of death, clashes fundamentally with not just everything Cass believes in, but also her whole sense of self. Of course it's not that deep for Jason like he's not going to believe Cass should die because she killed someone as a child. But for Cass is simply IS that deep and you throw in the fact that they're both Bruce's kids and yeah. They can maybe be civil in a room together with the family right up until one of them actually talks. Because like 99% of what they could say is guaranteed to touch a nerve for the other.

It's like: Damian says something hilarious and rude towards Jason and Jason jokes about that time he shot him and Cass immediately connects that with him not feeling bad about shooting Damian and starts grilling him as to why. Because Damian's Bruce's son? Or because he's a killer? Or just to get to the rest of the family? And Dick, Duke and Tim are so tired like Alfred cooked a nice meal can we all just eat pie for one night without having to listen to you two go at it.

Tim: I've literally shot you before do you think maybe we can cool it on fighting about Jason's personal ethics tonight. Because generally that ends with me in pain even if I do nothing but sit here.

Cass: You shot me with consent. Different.

Jason: How are you even more obnoxious than Bruce? Do you ever get tired of being so exhausting to be around with your bullshit righteousness?

Cass: If you're tired I can knock you out. Nice nap for you and fun for me.

Dick: And that's ten minutes in a room together before any threats of physical harm start flying around! Great job you two, a new personal record.

[shaxza]

[batcavescolony]

At the end of Agatha All Along, Agatha does things would have never done at the beginning. I see people say that they planted seeds for Agatha changing that never grew and that's just wrong. They might not be a tree but they've sprouted. In the beginning Agatha does everything for personal gain. But at then end Agatha has nothing personal to gain from telling Jen she bound her. There's no personal gain in her helping Billy find Tommy in the end or comforting him or helping him unlock Tommy's location. She has changed its just not huge or a dramatic personality change.

[yuripira4e]

thinking about the family dynamic of

Rayla would pick Runaan and Ethari over herself

Runaan would rather die than have to choose between Ethari and Rayla

Ethari would choose Runaan without hesitation

[autisticrosewilson]

So sick and tired of you bitches saying that Jason possibly being assaulted WHICH HAS BEEN IMPLIED MULTIPLE TIMES BOTH WHEN HE WAS ROBIN AND IN MODERN COMICS (not the Talia thing that was bullshit) WAS STOLEN FROM MIA!! DO YOU GUYS THINK THAT MIA IS THE ONLY CHARACTER EVER WHO HAS EVER HAD THIS SPECIFIC TRAUMA START BEING SERIOUS RN

[dykedvonte]

My post about Anya is making like a little ruckus on Twitter and I think it’s crazy how many people like have a problem with it.

Like you don’t have to agree with how I characterize Anya and her actions but it’s more like, why are you focused on only one aspect of her character? Why are you removing nuance from the situation? I don’t see it as giving Curly the benefit of the doubt when it comes to doing better for Anya, but as exploring his character and hers relationship with a the very little authentic facts we get about them. In truth, there’s a lot more I wish Curly did, even if it wasn’t pragmatic but I realize the issue there.

The first psychological horror game in a while that’s real intricate in its storytelling and makes you need to really need to address the morality of intentions and its already getting torn asunder smh 😔

[ansburg]

yall ever read da meta and know that op thought they were cooking. but the post is like this

[showtoonzfan]

So let me get this straight:

- Eve the original woman is a villain who wants to break up Lucifer’s relationship with his wife to get back at being blamed for taking the apple, so she disguises herself as Lilith and somehow Charlie and Lucifer don’t know this apparently.

- Alastor is no longer an interesting character with mysterious motives that are twisted/morally grey, but is just a good guy who all along was working with the real Lilith to protect Charlie

- Rosie is Lilith in disguise for some reason

- The big bad other than Eve is the “Root of all evil”- aka “Roo”, who looks like some random cowgirl

Viv is really something, I need to know what she’s on to come up with these dumbass ideas.